#Graphic design

Stories 17/06/2022

People and paper: Mirko Borsche

Mirko Borsche’s designs for the Bavarian State Opera are as adventurous as the institution’s world-class productions. By John L. Walters

Graphic designInterviews

Inspiration 17/06/2022

Ode to the box

Caz Hildebrand, Creative Partner at Here Design, sets the scene for an odyssey through thirteen examples of luxury packaging

Graphic designPackaging

Stories 17/06/2022

People and paper: Juan Mantilla

Juan Mantilla’s packaging design for Kiko Milano is bold and experimental; like a fashion brand, it changes seasonally. Profile by Sarah Snaith. Photographs by Lee Funnell

Graphic designInterviewsPackaging

Inspiration 14/06/2022

Peaceful keepsake

Bürocratik’s arresting brochure design for a Portuguese theatre is a quiet reminder to engage with culture. By Sarah Snaith. Photography by Roger Fawcett-Tang

Graphic designInterviewsPublishing

Inspiration 14/06/2022

Passion for posters

The biggest collection of historical Italian advertising posters now has a permanent home in Treviso. By Davide Fornari

Graphic designIllustrationPrinting

Stories 14/06/2022

People and paper: Élodie Boyer

Profile of Éditions Non Standard’s Élodie Boyer, publisher and brand consultant. By Anne Miltenburg

Graphic designInterviewsPrintingPublishing

Inspiration 14/06/2022

Morag’s Italian adventure

UK designer Morag Myerscough reflects on her time working at Michele De Lucchi’s studio in Milan – nearly 30 years ago

Graphic designInterviewsLarge format

Stories 14/06/2022

Surprise effect

Canadian by birth but Milanese by choice, Ginette Caron defies convention with designs shaped by her unique perspective. By Silvia Sfligiotti

Graphic designLarge formatPrinting

Stories 14/06/2022

People and paper: Steven Guarnaccia

John L. Walters talks to illustrator Steven Guarnaccia about notebooks, design-obsessed fairy tales and the wisdom of saying ‘yes’

Graphic designInterviewsPrinting

Inspiration 14/06/2022

Tyrolean spirit

Studio Mut, founded by Thomas Kronbichler and Martin Kerschbaumer, chooses mood over words. By Sharon Tolaini-Sage

Graphic designInterviewsPrinting