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#Graphic design

Inspiration 21/06/2022

The ideal letterform

Fedrigoni’s new corporate typeface is a 1960s classic, designed by an argumentative committee of Italian design legends. By Alessandro Colizzi
Graphic designPrintingPublishing
Stories 21/06/2022

The bloodline of a brand

Fedrigoni’s new identity has been forged by Pentagram partner Harry Pearce. Mark Sinclair reports
Corporate communicationGraphic designInterviews
Inspiration 21/06/2022

Artisans uncovered

Bottega brings the materiality of an upholstery workshop to the (digitally) printed page
Digital printingGraphic designPublishing
Inspiration 21/06/2022

Poetry in promotion

By John L. Walters
Graphic designPrinting
Stories 21/06/2022

Paper Box

London studio Graphic Thought Facility devised and designed the minimalist-maximalist Paper Box for Fedrigoni. By John L. Walters
Graphic designInterviewsPackaging
Stories 21/06/2022

People and paper: Fernando Gutiérrez

For Fernando Gutiérrez design is about relationships, dialogue and letting things speak for themselves. By John L. Walters
Graphic designInterviewsLabelPackaging
Inspiration 21/06/2022

Proud to share

Australian design studio Voice understands the language and currency of good wine. By Kay Maxfield
Graphic designInterviewsLabel
Inspiration 21/06/2022

The book makers

Designer Irma Boom and publisher Barbera van Kooij are the redoubtable duo behind the printed output of Amsterdam’s Rijksmuseum. By John L. Walters. Photographs by Robert Billington
Graphic designInterviewsPublishing
Stories 21/06/2022

People and paper: Silvana Amato

For Silvana Amato design is not simply a matter of taste – it is a marriage of form and content based on culture, history and context. By Paolo Ferrarini
Graphic designInterviewsPublishing
Inspiration 17/06/2022

Form follows strategy

Rather than chasing trends, Barcelona design studio Clase BCN strives for sensitivity and vision. By Sarah Snaith
Graphic designInterviewsLarge format