• It
Sign in Get Pulp Pulp 28
Pulp
Sign in Get Pulp Pulp 28
Pulp
  • Inspiration93
  • Stories88
  • News174
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 28
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

3 min minutes
News

Shadows, shapes and sculptural books

Venetian design studio Bottega Artemia leans on sculptural techniques to explore the form of the book
Graphic designPackagingPublishing

Bottega Artemia is the studio behind Nanetto!, a project that creates paper book artefacts that double as sculptures.

The Venetian studio’s founder Tommaso Gentile was previously a teacher, and he has always had an interest in print techniques.

Five years ago, as a way to address our increasingly plugged-in, screen-filled world, he decided to experiment with the form and meaning of the book. Ultimately, this revolved around research about the book’s function as an expression of a story – visual or narrative – and how people interact with books as objects. The idea for Nanetto! was born, with the help of Laura Doro and Cecilia Vanin.

Nanetto! is a set of six books bound on all four sides with a three-dimensional shape cut into the book’s surface. Gentile made a large number of prototypes with different shapes to discover what worked best. The books were die-cut using 3D software and printed offset. The project also uses hot foil on the exterior box. Both the sculptural book and a booklet accompanying the project use Materica Limestone papers.

Gentile says: ‘These visual architectures aim to narrate the passing of time. Hour after hour, through the shadows that are created and bloom throughout the day, a visual tale is set up between the environment and the observer, emphasising the present. We wanted to challenge conventional techniques of packaging design, typography and printing.’

Papers:
Book: Materica Limestone 260 g/m2
Booklet: Materica Limestone 120 g/m2

Photos: Simone Marcuzzo

bottega-artemia.com

Bottega Artemia Instagram

Featured Materials

Materica

Pulp-coloured papers and boards made with 40% CTMP fibres, 25% pure environmentally friendly fibres, 20% recycled material and 15% cotton fibres. Also available in self-adhesive version.

Related articles

News 27/04/2023

Gourmet elixir

Based on old apothecaries, Gallén+Ibáñez promote truth and quality with Carmen del Poaig extra virgin olive oil packaging
Graphic designPackagingPrinting
Inspiration 03/08/2023

Light and magic

Calendars remind us of the passing of time. Case studies by Sarah Snaith
Graphic designIllustrationPrinting
Stories 14/06/2022

People and paper: Élodie Boyer

Profile of Éditions Non Standard’s Élodie Boyer, publisher and brand consultant. By Anne Miltenburg
Graphic designInterviewsPrintingPublishing
News 20/10/2022

Bare necessities

Minimalist branding for a new interior design studio makes reference to the unique material it works with
Corporate communicationGraphic design
Pulp © 2026
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY ACCESSIBILITY STATEMENT
Pulp © 2026