• It
Sign in Get Pulp Pulp 27
Pulp
Sign in Get Pulp Pulp 27
Pulp
  • Inspiration82
  • Stories79
  • News162
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 27
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

2 min minutes
News

Two years of silence

Sara Magni’s photobook documents the pandemic’s devastating impact on the live music industry
PhotographyPrintingPublishing
‘The pages are not bound so that they can be framed and displayed, as if the book were a portable exhibit.’

Sara Magni is a Milan-based photographer specialising in portraiture and interior design commissions. She also self-publishes projects that reflect her interest in editorial storytelling and societal issues. Magni’s latest publication, Turn Out the Lights, examines the impact of the Covid-19 pandemic on the live music industry – the ‘two years of emptiness, of darkness, of silence,’ she writes in its introduction.

The photographs feature venues empty of artists and audiences alongside images of the equipment that the live music industry relies on. Amplifiers and smoke machines stand idle, crowd barriers lean against a tree. The images also evoke the toll the pandemic took on the industry’s workforce – the ‘session musicians, sound technicians, riggers, runners, promoters, bartenders’ who could no longer work.

Turn Out the Lights is printed in a limited edition of 70 and was designed by studio Atto. ‘We started from the concept of emptiness and designed a book based on the “less is more” concept: we only used the graphic elements that were necessary to the narration, and gave up any ornamental ambition,’ says Atto’s Andrea Zambardi. ‘The pages are not bound so that they can be framed and displayed, as if the book were a portable exhibition.’

The book is printed digitally (using HP Indigo) and packaged in a plastic envelope.

‘The only iconographic element of the cover is UV white screenprinted,’ says Zambardi.

Magni’s book is available from her website.

 

Paper: Arena Natural Rough 120gm2

Printer: Presspoint

atto.si

Atto Instagram

saramagni.it

Sara Magni Instagram

Featured Materials

Arena

The Arena range is available in four shades: a bright Ivory, on OBA-free Natural, a warm White and a cool Extra White in a wide choice of sheet sizes, grain directions and grammages. Arena is available in three finishes: Smooth, Rough and Bulk. Also available in self-adhesive sheet version.

Related articles

News 07/03/2024

Fortune and photography

Justin Aversano’s Smoke and Mirrors has a contemporary take on the tarot
Graphic designPhotographyPrintingPublishing
News 09/03/2023

Patterns of Porto

Ach. Brito’s products take inspiration from more than a century of local design and artistry
Graphic designPackagingPrinting
Inspiration 23/01/2025

Process makes perfect

Swiss graphic designer and letterpress printmaker Dafi Kühne bridges the gap between digital design and printmaking. By Amy Henry
Graphic designPeople & PaperPrinting
News 23/02/2023

Unfinished business

With an affinity for print, multidisciplinary artist Dunja Jankovic reveals the power of geometric form. By Claire Mason
Graphic designPrintingPublishing
Pulp © 2025
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY ACCESSIBILITY STATEMENT
Pulp © 2025