• It
Sign in Get Pulp Pulp 24
Pulp
Sign in Get Pulp Pulp 24
Pulp
  • Inspiration38
  • Stories44
  • News53
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 24
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

2 min minutes
News

Imagination and innovation

Pulp 24 takes readers on a journey through inspirational and innovative approaches to print, packaging and the use of quality papers and self-adhesives
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainability
Lorenz Boegli. Portrait by Philip Sayer.
Illustration by Ryan Gillett.
Massimo Dutti Body Care. Design: Ana Mirats. Paper: Freelife Merida 320g/m2

From beauty brands to elite screenprinter Lorenz Boegli, Pulp 24 takes readers on a journey through inspirational and innovative approaches to print, packaging and the use of quality papers and self-adhesives.

The eye-catching cover shows skincare packaging from The Seated Queen, balanced delicately atop a model’s head. (The brand is designed and art directed by Giulia Garbin, See Pulp 6.)

‘The beauty of understatement’, by Elizabeth Glickfeld, shines a light on the subtle and refined aesthetics of several beauty brands. This features a range of international natural, vegan and luxury soaps, skincare and perfume, whose minimalistic packaging enhances these premium products.

‘Black magic’, showcases the breathtaking screenprinting approach of Swiss mastermind Lorenz Boegli, whose innovative silkscreen work, much of it printed on black paper, is much sought after by the creative directors of big brands.

In ‘Think before you laminate’, the use of plastic lamination is challenged as a process that significantly increases the difficulty of recycling materials. In this ‘One green thing’ article, Chiara Medioli Fedrigoni is quoted recommending sustainable solutions such as Imitlin, which achieves the smooth ‘touch’ effect of lamination while being more sustainable.

Other articles in Pulp 24 include Mark Sinclair’s ‘Analogue treasure house’, which highlights the way independent magazines are thriving and evolving in the post-pandemic era. ‘Personal touch’ is a short report from the Top Award jury sessions in Verona, and showcases examples of the inspiring work awarded there.

Pulp 24 was produced in three editions and in five languages (Italian, English, French, Spanish and German) by the award-winning, UK-based team behind Eye magazine: editor John L. Walters, art director Simon Esterson and art editor Holly Catford. This edition was printed at Veronalibri in Italy using Symbol Tatami, Sirio Color Gialloro, Arena Rough Extra White, Splendorgel EW and Symbol Card Eco 100 for the cover. The postal packaging was made from Symbol Pearl Ice.

Featured Materials

Symbol Tatami

Coated papers and boards made with environment-friendly ECF pure cellulose, FSC® certified, high bulk, white and ivory colour, coated on both sides with matt finishing.

Sirio Color

An extensive range of pulp-dyed uncoated papers and boards with light-fast colours, available in weights ranging from 80 to 700 gsm. Pure ECF and FSC® certified.

Arena

The Arena range is available in four shades: a bright Ivory, on OBA-free Natural, a warm White and a cool Extra White in a wide choice of sheet sizes, grain directions and grammages. Arena is available in three finishes: Smooth, Rough and Bulk.

Splendorlux

One-side Cast Coated boards high gloss and whiteness. FSC® certified and made with ECF pulp. Light matt coating on reverse side.

Related articles

Stories 14/06/2022

Surprise effect

Canadian by birth but Milanese by choice, Ginette Caron defies convention with designs shaped by her unique perspective. By Silvia Sfligiotti
Graphic designLarge formatPrinting
Inspiration 21/06/2022

The book makers

Designer Irma Boom and publisher Barbera van Kooij are the redoubtable duo behind the printed output of Amsterdam’s Rijksmuseum. By John L. Walters. Photographs by Robert Billington
Graphic designInterviewsPublishing
Stories 15/12/2022

Black magic

Big brands and creative directors choose Lorenz Boegli for his 21st-century approach to screenprinting. By Simon Esterson. Photography by Philip Sayer
Corporate communicationInterviewsPeople & PaperPrinting
Inspiration 16/11/2022

Gallery of gold

A poster series at Milan’s newest museum honours the ‘Masters of the Compasso d’Oro’ award. By Michèle Woodger
Corporate communicationGraphic designPrinting
Pulp © 2023
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY
Pulp © 2023