Fedrigoni

Pulp 20 “special digital printing” examines the contemporary panorama of digital printing. Through the report “The future is here” (edited by director John L. Walters), and in “How it works” it provides an accurate description of three different printing machines : HP Indigo, Fujifilm Jet Press, and Ricoh C7200 series. The issue features a wide range of case studies – including TM Studio’s 365 diary / calendar, the result of a digital variable data printing process – that show how designers, brands and printers use the new processes to create impactful work on highly innovative paper.

Pulp has reached its twentieth edition in seven years of publication in five languages: Italian, English, French, Spanish and German.

 


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Paper and planet – Plastic to paper, fossil to fibre
Achieving a sustainable, circular economy requires both immediate action and long-term thinking in the materials we use.

By John L. Walters - Illustrations by Mike McQuade
Day to day data
Every copy of this calendar is different in every way – except for the paper.

By John L. Walters
How it works

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Shake it up

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PAPERS USED IN THIS ISSUE…

COVER
Symbol Pearl Ice 300 g/m2.
INNERS
Arena Smooth Extra White 140 g/m2, Stucco Old Mill Premium White 150 g/m2, Materica Verdigris 120 g/m2, Splendorgel Extra White 160 g/m2.
PACKAGING
Tintoretto Ceyoln Ginepro 250 g/m2.

Pulp 19 features  posters from 19 artists against Covid-19, with a focus on sustainability in paper manufacturing. The star of this edition is Paper Box, the complete collection of papers by Fedrigoni organised in three volumes. The new collection designed by the London-based studio Graphic Thought Facility is a unique tool to help you dive through the rich variety of our production and find the right paper for your ideas.

 

 


Take a look at the exclusive preview of selected articles from this issue

Paper and planet – Pulp’s new series about sustainability
An interview with Chiara Medioli, vice-president of Fedrigoni, about the challenges posed by environmental issues when choosing and using paper.
By John L. Walters. Illustrations by Rob Loweaka Supermundane
Paper Box
We had to make it to know it would work. You can only design for paper on screen for so long.’London studio Graphic Thought Facility devised and designed the minimalist-maximalist Paper Box for Fedrigoni.
By John L. Walters.Photographs by Angela Moore
On message

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Living by numbers

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PAPERS USED IN THIS ISSUE…

COVER
Symbol Card Eco 50% 240 g/m2.

PACKAGING
Freelife Mérida Kraft gr. 280 g/m2.


Pulp 18 – ‘Message on a bottle’. This issue celebrates the look and feel of labels for wine, beer and spirits, with delicious examples of design for drinking from across the world. People will always need labels.

Take a look at the exclusive preview of selected articles from this issue

People and paper
“Wine is all about being rooted to the earth and the local. We try to strip the label design back. It’s really all about the wine.”
For Fernando Gutiérrez design is about relationships, dialogue and letting things speak for themselves.
By John L. Walters.
Portrait by Robert Billington
Never fit in
With fierce competition between products, how does design studio Stranger & Stranger make a 10cm label on a bottle of wine or spirits stand out?
By Sarah Snaith
Proud to share

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Beneath the surface

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PAPERS USED IN THIS ISSUE…

COVER
Pressure-sensitive Adhoc Tintoretto Gesso 95 g/m2, Inside: Sirio Rough Flamingo 210 g/m2.

INNERS
Arena Extra White Rough 140 g/m2 , Symbol Freelife Gloss 170 g/m2 , Constellation Snow Raster E/E 130 g/m2 .

PACKAGING
Splendorlux Verus Black 250 g/m2.

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