• It
Sign in Get Pulp Pulp 28
Pulp
Sign in Get Pulp Pulp 28
Pulp
  • Inspiration93
  • Stories88
  • News174
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 28
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

3 min minutes
News

Vintage remix

Influenced by vintage Italian packaging, Milanese agency CRSL Carosello Lab brings the look of Vitoni Spritz into contemporary culture
Graphic designLabelPrinting
‘We feel it’s important to know what came before us, and to think and design as part of a larger historical process that ultimately takes part in shaping our everyday surroundings.’

Working with the founder of Vitoni Spritz, the Milan-based CRSL Carosello Lab collaborated to create a holistic brand campaign that came to life for the low-alcohol ready-to-drink aperitivo company. When starting the design for the packaging, the CRSL team followed a non-linear process of studying, researching and sketching to reach unexpected results.

The visual references the team were inspired by included a historical review of Italian packaging design from the 1920s to the 1960s, particularly from the sector of alcoholic drinks. Enrico Caputo, CRSL founder and creative director, says, ‘We wanted to absorb the recurrent graphic motifs, from Italian Rationalism and Art Deco to the advertisement style of the post-war years.’ Modern sensibilities were also infused into the design.

The studio often uses this approach of remixing older and newer styles. Caputo says, ‘We feel it’s important to know what came before us, and to think and design as part of a larger historical process that ultimately takes part in shaping our everyday surroundings.’

For the label, CRSL chose Tintoretto Crystal Salt ULTRA WS – primarily for its tactility. They needed to find a substrate that could withstand ice buckets, water and freezing. The use of foil and blind embossing adds a considered touch to the label,. The typeface selection, including fonts such as Nord by VJ-TYpe, Krana Fat by Schick Toikka and Plaak by 205TF, is carefully curated.

Additional components beyond the package design included naming, logo design, brand identity, web design and photography. CRSL also devised a Vitoni guide to the coolest Italian and European neighbourhoods called Quartiere Aperitivo.

Paper: Tintoretto Crystal Salt ULTRA WS

crsl.studio/works/vitoni-spritz

CRSL Studio Instagram

vitoni-spritz.com

Featured Materials

Tintoretto

The uncoated natural papers in the Tintoretto range are made from pure ecological ECF cellulose, FSC™ certified, and felt-marked. Also available in self-adhesive version.

Related articles

Stories 09/10/2025

Through young eyes

Paris schoolchildren make a publication that investigates the world through their photographs. By John L. Walters
Graphic designPhotographyPublishing
News 26/01/2023

The art of the tie

Milanese agency Ascionemagro has created an expressive logo and packaging for accessories brand GierreMilano
Graphic designPackagingPeople & PaperPrinting
News 15/12/2022

Love by numbers

Multiple designers make expressions of love for Fedrigoni UK’s annual 365 publication
Corporate communicationDigital printingGraphic design
Stories 07/06/2022

Loud and proud

Independent publisher Unit Editions finds new ways to reach readers for their big books about design. By John L. Walters. Photographs by David Levene
Graphic designInterviewsPublishing
Pulp © 2026
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY ACCESSIBILITY STATEMENT
Pulp © 2026