• It
Sign in Get Pulp Pulp 24
Pulp
Sign in Get Pulp Pulp 24
Pulp
  • Inspiration41
  • Stories47
  • News69
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 24
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

2 min minutes
News

The look of the issue

Now in its thirteenth issue, The Eyes journal examines social topics through the prism of photography
Graphic designPrintingPublishing

The Eyes, a Parisian publisher, produces photobooks, monographs and an annual photography journal under the same name. Its issues to date have looked at a range of subjects from Madrid and Poland to ‘new photographic narratives’.

With each issue of The Eyes, editorial control is handed to an expert. The latest issue, on the theme of ‘[after]care’, examines the notion of care in a post-traumatic context, edited by artist Laia Abril.

London-based designer Sarah Boris redesigned the magazine for its eleventh issue in 2020. ‘For each issue I choose a new stock for the cover and new finishings,’ she says. ‘Despite these variations in production, the look is distinct.’

Boris says that The Eyes’ thematic approach dictates the look of each issue. ‘It’s a rare annual magazine where the masthead reads as the theme of the issue,’ she explains. ‘This was a design idea … to give emphasis to the topics raised. Since the redesign I have worked with Fedrigoni papers which offer an amazing range.’

Recent issues of The Eyes include ‘Transgalactique / Transgalactic’, a ‘subjective panorama of the history of trans-photography’ edited by artist SMITH and performer / curator Nadège Piton (with photography historian Taous Dahmani), and ‘B-Side’ for which photographer and author Johny Pitts (with Dahmani) explored definitions of ‘Afropean’, and investigated the diversity of black identities as experienced in Europe.

The Eyes #11: Transgalactique / Transgalactic
Paper: Curacao 290g/m2 (cover). Arena (pages).

The Eyes #12: B-side
Paper: Sirio Colour Limone (cover). Arena (pages).

The Eyes #13: [After]care
Paper: Woodstock Rosa (cover). Arena (pages).

Design and art direction: Sarah Boris Studio

Printer: Musumeci, Italy

theeyes.eu

sarahboris.com

Sarah Boris Instagram

Featured Materials

Arena

The Arena range is available in four shades: a bright Ivory, on OBA-free Natural, a warm White and a cool Extra White in a wide choice of sheet sizes, grain directions and grammages. Arena is available in three finishes: Smooth, Rough and Bulk.

Woodstock

Recycled uncoated papers and boards with 80% pre-consumer recycled waste and 20% FSC certified virgin fibre, pulp coloured.

Sirio Color

An extensive range of pulp-dyed uncoated papers and boards with light-fast colours, available in weights ranging from 80 to 700 gsm. Pure ECF and FSC® certified.

Related articles

News 18/08/2022

Full bloom in Alba

Hellobarrio's new campaign for their hometown celebrates nature in the urban environment
Graphic designPrintingSustainability
Stories 05/01/2023

Slow perfume

Perfume is a living experience
Graphic designPackagingPrinting
Stories 31/05/2022

Sensation and memories

For Catalan designer Xavier Bas, paper has an evocative power that complements branding and design. Interview by Saul Montes
Graphic designInterviewsPackagingPrinting
Inspiration 16/11/2022

The perfect pig

Deberlou’s award-winning packaging for a Mallorcan dried sausage reflects the ancient traditions and craftmanship that goes into its production. By Sarah Snaith
Graphic designLabelPackaging
Pulp © 2023
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY
Pulp © 2023