• It
Sign in Get Pulp Pulp 28
Pulp
Sign in Get Pulp Pulp 28
Pulp
  • Inspiration93
  • Stories88
  • News174
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 28
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

2 min minutes
News

Suspended in time

A new identity for a Tuscan antique shop reflects the histories of the unique objects it sources
Graphic designPrinting

Balma Antiques is based in Montemurlo in Tuscany, Italy and specialises in sourcing eighteenth- and nineteenth-century French objects and furniture. With its main studio space sited in an old agricultural machinery shed, Balma was conceived, say its owners Claudia and Francesco, ‘as an antiques and objets d’art atelier, a space suspended in time where beauty comes to life.’

To create a new visual identity for the company, Florence-based Weird Studio – founded by Edoardo Cantarella and Giulia Tordi – decided to reference the unique nature of many of the pieces that Balma brings into the atelier and sells to its customers.

Balma’s collections can include: Beauronne vases; bistro tables; chairs; paintings; and mirrors. ‘Soft shapes, antique raw materials and one-of-a-kind patinas make every piece delicate, timeless and unique,’ say Weird’s founders.

With this in mind, they created ‘a brand identity with a richly detailed logo, printed on recycled, uncoated paper in an elegant and natural colour with a soft blind embossing. The soft, tactile feel matches the texture and flaws of naturally ageing wood.’

The range of printed material that Weird created for Balma Antiques is supplemented by some elegant digital work alongside a range of imagery provided by photographer Sofia Lalli, which is used across all media. ‘All the objects that enrich our collections reflect our taste and embody the values dear to us,’ say Balma’s owners.

Papers:
Business cards, cards and tags: Woodstock Noce 285 g/m2 (blind embossing)

Envelopes: Woodstock Noce, 110 g/m2

Weird Studio

Weird Studio Instagram

Balma Antiques

Featured Materials

Woodstock

Recycled uncoated papers and boards with 80% pre-consumer recycled waste and 20% FSC certified virgin fibre, pulp coloured. Also available in self-adhesive version.

Related articles

Inspiration 10/06/2022

The face of New York

A famous typeface has come to symbolise a certain urban sensibility. By Steven Heller
Corporate communicationGraphic designPrinting
News 19/01/2023

A smile in a bottle

Studio Levinsky has put joy at the heart of its new identity for beer and restaurant brand Doppio Malto
Graphic designLabelPackagingPrinting
Inspiration 06/06/2024

Guide to the stars

The Barbanera almanac was first published in 1762 and is now in its 258th year
Graphic designIllustrationPrintingPublishing
Inspiration 26/12/2024

Florentine waves

D’Apostrophe is a Florence-based design and visual communication studio founded in 2009
Graphic designPrintingPublishing
Pulp © 2026
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY ACCESSIBILITY STATEMENT
Pulp © 2026