• It
Sign in Get Pulp Pulp 28
Pulp
Sign in Get Pulp Pulp 28
Pulp
  • Inspiration93
  • Stories88
  • News174
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 28
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

2 min minutes
News

Balancing queen

Giulia Garbin’s first beauty brand designs are minimal and fun
Graphic designLabelPackagingPrinting

The Seated Queen is the first beauty product brand that Giulia Garbin (see Pulp 6) has designed and art directed. For the firm’s plain cardboard packs of natural creams and serums she chose Fedrigoni Acquerello Bianco 390g/m2, using a restrained sans serif typeface and a marque she originally made as a linocut, a craft Garbin has employed in several other projects. The monochrome monogram represents Cassiopeia, also known as the Seated Queen, a title that sisters Libby and Josephine Banks chose for their skincare brand when they founded the company in 2020.

Cassiopeia, a star constellation in the northern sky, shares its name with a figure from Greek mythology, a beguiling character who liked to boast of her unrivalled beauty. ‘The sisters liked the idea of someone who is strong,’ says Garbin, ‘but who is also imperfect and unpredictable.’

‘Libby Banks contacted me in 2018 about creating a beauty brand for smart, busy women using natural ingredients,’ says Garbin. ‘I didn’t realise how different it was to design packaging for small products like creams or serums. Some tests looked really nice on screen, but then quite bad when printed at the actual small size. For example, I had to choose and source a type that was very legible in 3 or 4pt.’ For the bottles and jars the type was screen-printed directly on the glass.

Kimberly Hawmmond’s lighthearted, slightly surreal photographs were intended to play with the concept of the ‘balancing act’ that affects our everyday lives, explains Garbin. ‘It’s been real fun to work with Kimberly, Libby and her sister Josie.’

theseatedqueen.com

bark.com

Featured Materials

Acquerello

Uncoated papers and boards made with E.C.F. pulp, certify FSC®. Felt marked on both sides. Substances over 240 gsm are multi-ply laminated in the formation stage. Available in three shades: Bianco, Avorio and Camoscio. Also available in self-adhesive version.

Related articles

Inspiration 04/09/2025

Silver surface

Stephen Coates and James Hunter designed the catalogue for the exhibition ‘Unearthed: Photography’s Roots’ at London’s Dulwich Picture Gallery
Digital printingGraphic designPublishing
Stories 29/05/2023

Blue horizon

This upcycling initiative combines the worlds of textile and paper production. By Gabriela Matuszyk
People & PaperPhotographyPrintingSustainability
News 17/11/2022

TOP Award in Paris

Winners and jurors assemble for the 2022 prize-giving ceremony
Corporate communicationDigital printingGraphic designIllustrationLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainability
News 10/11/2022

The look of the issue

Now in its thirteenth issue, The Eyes journal examines social topics through the prism of photography
Graphic designPrintingPublishing
Pulp © 2026
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY ACCESSIBILITY STATEMENT
Pulp © 2026