• It
Sign in Get Pulp Pulp 28
Pulp
Sign in Get Pulp Pulp 28
Pulp
  • Inspiration90
  • Stories88
  • News174
  • Pulp Archive
  • Materials Index
  • About Pulp
  • Tell Us
  • Sign in
  • Get Pulp
  • Pulp 28
  • It
Browse Themes
Corporate communicationDigital printingGraphic designIllustrationInterviewsLabelLarge formatPackagingPeople & PaperPhotographyPrintingPublishingSustainabilityInspirationStoriesNews
Pulp

Log-In

Please enter your credentials to access all Pulp contents.

Forgot your password?

New to Pulp? Register for free

New to Pulp?

Register for free to have full access to our content.

Register

2 min minutes
News

Suspended in time

A new identity for a Tuscan antique shop reflects the histories of the unique objects it sources
Graphic designPrinting

Balma Antiques is based in Montemurlo in Tuscany, Italy and specialises in sourcing eighteenth- and nineteenth-century French objects and furniture. With its main studio space sited in an old agricultural machinery shed, Balma was conceived, say its owners Claudia and Francesco, ‘as an antiques and objets d’art atelier, a space suspended in time where beauty comes to life.’

To create a new visual identity for the company, Florence-based Weird Studio – founded by Edoardo Cantarella and Giulia Tordi – decided to reference the unique nature of many of the pieces that Balma brings into the atelier and sells to its customers.

Balma’s collections can include: Beauronne vases; bistro tables; chairs; paintings; and mirrors. ‘Soft shapes, antique raw materials and one-of-a-kind patinas make every piece delicate, timeless and unique,’ say Weird’s founders.

With this in mind, they created ‘a brand identity with a richly detailed logo, printed on recycled, uncoated paper in an elegant and natural colour with a soft blind embossing. The soft, tactile feel matches the texture and flaws of naturally ageing wood.’

The range of printed material that Weird created for Balma Antiques is supplemented by some elegant digital work alongside a range of imagery provided by photographer Sofia Lalli, which is used across all media. ‘All the objects that enrich our collections reflect our taste and embody the values dear to us,’ say Balma’s owners.

Papers:
Business cards, cards and tags: Woodstock Noce 285 g/m2 (blind embossing)

Envelopes: Woodstock Noce, 110 g/m2

Weird Studio

Weird Studio Instagram

Balma Antiques

Featured Materials

Woodstock

Recycled uncoated papers and boards with 80% pre-consumer recycled waste and 20% FSC certified virgin fibre, pulp coloured. Also available in self-adhesive version.

Related articles

News 25/09/2025

Pride of Porto

Verona studio Happycentro designs books and handmade window displays for renowned Porto bookstore Livraria Lello
Graphic designLarge formatPrinting
Stories 30/11/2023

People and paper: Marco Nespolo

‘The bar is increasingly set much higher in terms of what we need to do to defend our planet.’ Fedrigoni Group CEO Marco Nespolo talks to Pulp. Photographs by Luigi Fiano
People & PaperPrintingSustainability
Inspiration 10/06/2022

Book of Bob

This lavish book of photos by Daniel Kramer captures the young Bob Dylan in the period when he turned music upside down. By Martin Colyer
Graphic designPhotographyPrinting
News 20/10/2022

Bare necessities

Minimalist branding for a new interior design studio makes reference to the unique material it works with
Corporate communicationGraphic design
Pulp © 2025
Fedrigoni
Fedrigoni
COOKIE POLICY PRIVACY POLICY ACCESSIBILITY STATEMENT
Pulp © 2025